In the next six stanzas he describes the iceberg and the ship meeting together as one in destiny. When the two do eventually meet, these worlds collide with some awfully tragic circumstances. The traveler introduced in the first line tells the foreigners of the monument which does not heighten the king's accomplishments, but instead he communicates the irony of the words inscribed on the statue represent the creation of a respectful structure to sheer mockery. Yes, we're crying too, probably due to Celine Dion's passionate chest pounding, or maybe it's Leo's dreamy eyes. The first two lines are tri-meters while the last line is a hexameter Baer, 2006.
The poet is among the unique individuals in the world of literature and has taken an unusual approach towards the story. The Purpose of the Shift Hardy, by his quietly angry tone, pours his scorn for the Industrial Revolution and its economic excesses into the first half of his poem. Writing metrical poetry: Contemporary lessons for mastering traditional forms. In the first five stanzas, the author discusses the already submerged ship. Down went the colossal ship and so did the rich, famous and all their valuable goods. Stanza 1 The poet introduces the setting of the sea in the first line itself. The speaker conveys his attitude toward the sinking of the ship using a unique illustrative technique in his writing.
The poet describes the ship to contain doors, windows, and mirrors. The lines used in the poem are regular in meter. Its tone, far from sympathetic or sentimental, shifts from cold sarcasm to reverence, as Hardy turns from imperfect machinery to perfect nature. No matter if it's Celine Dion or an English poet, we're dealing with a story that people are still fascinated and moved by so many years later. The very structure of the stanza physically resembles am ocean liner. The ship was built to go against nature and endure no fatal fate but it clearly states that it could not go against the force of nature.
The ship—the creation of men that insists upon referring to all vessels in the feminine—was essentially a bride being prepared for her wedding day and the groom in this marriage of inconvenience is, of course, the ice brought into being by that unknowable force of will. Now the ship lies at the bottom of the sea. The Tone Shift Analyzed The shift in tone from sarcasm to reverence is beautifully rendered, as Hardy uses enjambment between stanzas six and seven to weld together, literally and poetically, the ship, like a groom at a wedding, and its glacier bride. These lines are indicative of the author? As the reader continues to each stanza, he can see that each stanza becomes a little more deshevelled. So the two are kind of cosmically connected, but not in a good way. The cool thing about Hardy's take is that his focus is more on the ship and the iceberg than the unfortunate folks who went down. The metaphoric marriage of the ship and iceberg within the final section of the poem reiterates the man versus nature conflict, emphasizing that nature and God trump the vanity and hubris of mankind.
The jewels and the mirrors that fed the vanity of mankind are inspected with curiosity with fish and sea worms. Sorry, but copying text is forbidden on this website! All of the steel chambers, mirrors, jewels and other pretty things are at the bottom too, only this time they're surrounded by curious fish and sea-worms that are none too impressed. What is more lasting, money and decoration, or the eminent force of nature? Oxford University Press: Oxford, 2005. No human eye can gaze at their beauty so they have no value. The poet ensured that the three lines of each stanza rhyme.
But ironically none of the pomp and splendor that marked the ship were of any use to them. Even the so called safest ship in the world could not escape the unavoidability of nature's will taking its course. Hardy describes how the ship looks like in the first part of the poem. However, he also discusses the physicality of the ship, using the event to symbolize destruction of through divine and natural means. Suddenly all of man's glory and vanity that went into building the ship become little more than useless things that sea-worms crawl in and out of. Of The Best Pieces I Have Ever Done! The Oxford English Literary History: The Modern Movement, 1910 — 1940 Vol. The Convergence of the Twain by Thomas Hardy Poetry Foundation agenda angle-down angle-left angleRight arrow-down arrowRight bars calendar caret-down cart children highlight learningResources list mapMarker openBook p1 pin poetry-magazine print quoteLeft quoteRight slideshow tagAudio tagVideo teens trash-o.
Also, the shaping metaphor of the poem is explained as a consummation between the Titanic ship and the iceberg. Moreover, the use of consonant rhymes in stanza four is portraying how the poet has mastered the art of writing lyrically and narrating the message to the audience at the same time. Background This poem was read first at a concert planned as a charity event for the victims of the Titanic disaster. The subject of sexual motivation and its inherent ambiguity with regard to Henchard's actions is a topic that caught my attention from the… 1227 Words 5 Pages Thomas Hardy's Views on Marriage Thomas Hardy lived in a time when marriage was the expected practice for young men and women. Illustrating both sides of a marriage.
Michael Stratford is a National Board-certified and Single Subject Credentialed teacher with a Master of Science in educational rehabilitation University of Montana, 1995. Sinking of the Titanic, drawn from wireless descri. GradeSaver, 17 May 2017 Web. This poem can be considered a critique of the wealthy lifestyle. Texts and Contexts: Introducing Literature and Language Study, Routledge: London, 2001. The internal rhyme in stanza eight referred to the iceberg hence the building of the iceberg as shown by the rhyming words was of a similar method.
The poem fails to fulfil such expectations, instead focusing on the ship and the iceberg and how the two came to converge. Therefore, the speaker tried to show that God had not planned for the ship to sail it, wealthy patrons. In a way then, we get to see man's creation as a kind of artifact that nature curiously observes, rather than the other way around. These two texts are similar in their depiction of an increasingly technological world, presenting it as corrupting the human spirit, and further displacing humankind from its more natural and moralistic past. The speaker then goes on to tell the story of the Titanic's construction that was simultaneously underway while the iceberg was growing too. As the ship grew closer and closer to the iceberg, and also in its confidence, the iceberg was also growing in its confidence and meaning. The pairing of the two or the idea of a pair is constructed before the poem even starts.