Maybe Keats has been staring at one too many urns! The theory of Formalism is the theory that the text is king. He continues his juxtaposition of the mortality of man, demonstrated by 'old age', 'waste' and 'woe', with art's immortality: 'thou shalt remain'. The word 'still' in the first line is key to the poem, as it is polysemic: it could mean 'yet', reflecting the sense of anticipation present in the poem, or 'motionless', because the urn does not move. Lesson Summary To sum things up, 'Ode on a Grecian Urn' is one of Keats' most famous poems. Even the urn is in the imagination. Keats then turns back to the imagery of the wild chase between the lovers and says that they will always have a passion, but will never be able to share a kiss. It follows the iambic pentameter, with ten lines in each stanza.
This is a romantic poem mainly because of its dominant imaginative quality. This makes the urn a historian of people who live in forests. Life compensates for the incompleteness of art and art compensates for the transience of life. What men or gods are these? This stanza develops the thought from stanza 2 that nothing can change in the world of the picture on the urn. Who are these coming to the sacrifice? The poet speaks of the urn designs that are process in time by the artist which the urn became a beautiful master piece of art that comes alive. Ode on a Grecian Urn - Further Notes Summary In the first stanza, the speaker stands before an ancient Grecian urn and addresses it. If you would like , follow the link.
This is a classical kind of poem that was originally meant to be sung. Do they make a final statement on the relation of the ideal to the actual? If it is the urn addressing mankind, then the phrase has rather the weight of an important lesson, as though beyond all the complications of human life, all human beings need to know on earth is that beauty and truth are one and the same. The fourth stanza really begins to develop the ideas. It has a two part rhyme scheme, where the last three lines are variable. He goes on to say that as times passes and the people of his generation grow old, the urn will remain eternal and will never age. It is true that the speaker shows a certain kind of progress in his successive attempts to engage with the urn. The viewers perplexity through the course of the ode changes to fascination and wonder bordering on astonishment as he encounters what the urns figures make accessible through participatory enactment of the artworks Werksein: namely, the consolation that time-beleaguered mortal existence finds in the ideal.
That cannot shed Your leaves, nor ever bid the Spring adieu; And, happy melodist, unwearied, For ever piping songs for ever new; More happy love! Yet the pictured urn can do something for them and for succeeding generations as long as it will last. Imagined melodies are lovelier than those heard by human ears. But by the end of the poem, he realises that the entire process of questioning is fairly redundant. The theme of the Ode, accordingly, has to do with the relationship… 1470 Words 6 Pages Ode to a Nightingale, Ode on a Grecian Urn, and Ode to Autumn The casual reader of John Keats' poetry would most certainly be impressed by the exquisite and abundant detail of it's verse, the perpetual freshness of it's phrase and the extraordinarily rich sensory images scattered throughout it's lines. He thinks the people on the urn are frozen in time and perfect, or at least more perfect than us, because we're kind of miserable and time goes on and we die and whatnot. Because he cannot hear the music, in his imagination it is perfect. The speaker calls the scene on the urn cold and not sweet, so cold pastoral is a paradox.
In the third stanza, the speaker praises the urn for its eternal youth and zeal. Like in the first stanza, the unpleasant image of the 'heifer lowing at the skies' reveals an undertone of violence. Not such a bad deal, right? So as generations passed, it stays to tell the present generation what the previous one was like. There is a sense that the narrator finds the lack of change imposed upon the figures to be overwhelming. In the poem, Keats has a surprisingly emotional reaction to staring at an old piece of pottery.
After our generation is gone, you will still be here, a friend to man, telling him that beauty is truth and truth is beauty — that is all he knows on earth and all he needs to know. You will see that In this ode, the poet also addresses the things he sees on the urn. Arcady is a region in Greece that is associated with a peaceful and simple country life. Any attempt to replicate it lessens its beauty. The people in the scene on the urn are imagined to be from a little town. For ever warm and still to be enjoy'd, For ever panting and for ever young; All breathing human passion far above, That leaves a heart high-sorrowful and cloy'd, A burning forehead, and a parching tongue. On line 7, he introduces the contrast of mortality and immortality, with 'deities or mortals'.
The urn is then compared to a woodlands historian, who is able to tell a tale much more clearly than even a poet. The young man is… 1778 Words 7 Pages John Keats: Ode on a Grecian Urn Ode on a Grecian Urn is one of the most emblematic poems of the English Romanticism written by John Keats. The people in the scene are on their way to the sacrifice, so their town will forever be empty and silent. In the third stanza, he looks at the trees surrounding the lovers and feels happy that they will never shed their leaves. In the climactic synthesis when the Keatsian persona utters the vessels visionary message, he remains at once dialectically other to the urn while he self-transcendently speaks as the urn.
Thus, the two domains of the real and the ideal coming into conflict as usual, ultimately reconcile to make a more permanent truth as asserted in the 'truth and beauty' maxim. The urn, after resisting the viewers queries, speaks as other through the latter. It is largely a matter of personal interpretation which reading to accept. If we construe them from the metaxu i. What men or gods are these? Keats talks to the urn again. He is preoccupied with its depiction of pictures frozen in time.
He wonders about the figures on the side of the urn and asks what legend they depict and from where they come. The First Stanza So, the poem - in total, 'Ode on a Grecian Urn' has five stanzas. Then he starts to describe the first image. Line 14: Pipe to the spirit ditties of no tone: A ditty is a simple song. Think of blue skies, babbling brooks, lush trees, and fluffy white sheep. They really believed more in imagination and emotion and nature as kind of being where to look for answers to stuff.