Line 11, o'er: poetic form of over; thus the cells are overfilled. The hedge-cricket, the robin red-breast and the swallows are communicating, the latter about to journey south to find warmth and a new life. He wrote a letter to a friend, John Hamilton Reynolds: 'How beautiful the season is now - How fine the air. The language of lines 25 - 29 speaks for itself - soft-dying day, wailful, mourn, sinking, dies - things are coming to an end and the atmosphere is one almost of lament. He imagines it to be of a human. Keats was so impressed by the beauty of the weather that he recorded his mood in the form of this ode.
This was the last great ode he was able to write before he died Prince. Romanticism… 1264 Words 6 Pages To Autumn by John Keats exemplifies a poem full of imagery that showcases the scenery of a typical Autumn ensemble. Keats also alludes to a certain unpleasantness connected to Autumn, and links it to a time of death. This struck me so much in my Sunday's walk that I composed upon it. The artist shapes the first and last, and in the midst the man, the thinker, gives us its human significance.
This maturing sun is symbolizing Autumn. Line 4, stubble: the dried stumps of wheat and other grains left after reaping. The poet can see that the trees' branches and weeds have quite surrounded the urn. To begin with, the time frame of the stanzas begins to prove the theme. Somehow, a stubble-field looks warm — in the same way that some pictures look warm. This slowness of movement is suggested by the long, unbroken sentences.
Keats was being neither allegorical, nor Wordsworthian. To Autumn seems to have been written following a walk Keats took on Tuesday 21st September 1819, when living in Winchester. In the third stanza Keats compares autumn to springing the lines, ' Where are the songs of spring? The third stanza is a collection of the varied sounds of Autumn—the choir of gnats, the bleating of lambs, the singing of crickets, the whistling of red-breasts, and the twittering of swallows. The first stanza gives us the bounty of Autumn, the second describes the occupations of the season, and the last dwells upon its sounds. It is the season of mists and the ripening of fruit.
The beautiful word pictures and various visual and tactile imageries make the stanza a well-crafted one. In autumn, fruits are ripe. Both poems use nature as a symbol to mark. The vines suggesting grapes, the apples, the gourds, the hazels with their sweet kernel, the bees suggesting honey—all these appeal to our senses of taste and smell. In the Poem Ode to Autumn, Keats mainly utilizes rustic, vivid, visual and tactile imagery to describe the scenes of Autumn.
To Autumn is a modified ode, 33 lines split into 3 stanzas each eleven lines long. Even then it is suggested only in the momentary glimpse of the gleaner crossing a brook; and autumn then stops again to watch the slow pressing of the apples into cider as the hours pass. The close of the ode, though solemn, breathes the spirit of hope. Autumn and the sun work together for the ripening of all kinds of fruits. The bees think as if the summer would never end and warm days would continue for a long time. The poem widely has been considered a masterpiece of Romantic English poetry.
The whole landscape is made to appear fresh and scented. Again Autumn is a reaper. This greater permanence is the continuity of life itself, in which the impermanence of the individual human existence is one tiny aspect of a vast and deathless pattern. It is noteworthy that To Autumn is the only major poem of Keats that is completely unsexual. Shelley's Selected Poems; Coleridge's The Ancyent Marinere; Keats's Odes 1819; Blake's Songs of Innocence and of Experience; Wordsworth and Coleridge's Lyrical Ballads 1798; Gerard Manley Hopkins' Poems First Edition, 1918.
This melancholic mid-section of the final stanza has to be acknowledged, but the ending is one of inevitable renewal and positive change. Over the years it has been interpreted in several different ways, the most recent being a political reading of the poem by a prominent Marxist poet. The poet keeps himself completely out of the picture. It is the season of the mist and in this season fruits is ripened on the collaboration with the Sun. The understated sense of inevitable loss in that final line makes it one of the most moving moments in all of poetry; it can be read as a simple, uncomplaining summation of the entire human condition. The title is pregnant with personification.
Analysis of Keats' To Autumn John Keats' poem To Autumn is essentially an ode to Autumn and the change of seasons. The very beginning of the poem is suggestive of acceptance and insight after a conflict. Much of the third stanza, however, is dedicated to diction, symbolism, and literary devices with decisively negative connotations, as it describes the end of the day and the end of autumn. Note the sensuous language, the soft consonants enhancing - m, h and f - the contrasting short and long vowels reflecting the tension at work as the whole plant world comes to fruition. The poem is an Ode to autumn. Line 6, sallows: member of willow family. In the Ode To Autumn, impermanence is again accepted, and accepted without the least trace of sadness because Keats is able to see it as part of a larger and richer permanence.
Depending on the context, this change can bring altered pace and emphasis and also challenges the reader to work a little harder amongst the sounds. The author makes an intense description of autumn at least at first sight. Although the poem contains only three stanzas, Keats has been successful in expressing the beauty, the charm, the symphony of Autumn, and the ageless human activities in the lap of Nature. There is great concentration in each line of the first stanza. Literary Devices - Alliteration There are several examples of alliteration, in lines: 1. No human sentiment finds expression; only the beauty and bounty of Nature during autumn are described.